

They were a Stalinist dictatorship throughout the Cold War and built tens of thousands of bunkers around their landscape, spending a large part of their economy on preparing for the inevitable invasion by the capitalist imperialists and/or ideologically degenerate socialists. Then, afterwards, they gave the world Dua Lipa and a few other successful pop artists.








I’d classify it as kafkaesque, due to the revealed origins of the artefact (though one could argue that that is, in its own way, liminal, emerging from neither here nor there).