• 8 Posts
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Joined 4 years ago
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Cake day: July 13th, 2022

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  • Perhaps Alexander Bogdanov’s notion of Proletarian Culture can be of value here?

    Only a few of his works were translated from Russian, but there are academic articles available online written about this:

    James D. White (2013) Alexander Bogdanov’s Conception of Proletarian Culture, Revolutionary Russia, 26:1, 52-70, DOI: 10.1080/09546545.2013.806081.

    Maja Saboleva (2021) The Culture as System, the System of Culture: Aleksandr Bogdanov on Proletarian Culture and Proletarian Art, Cultural Science Journal 13(1), 2021, DOI: 10.2478/csj-2021-0016.




  • religion is a tool of oppression used by the bourgeoisie and that multifaceted oppression is used on the daily to keep us from fighting the class war,

    Yes, and that additionally it can and has been equally a revolutionary tool to mobilize the masses against oppression. And to shun it completely would be reductive.



  • These are not two distinct oppressions. Religion is part of the superstructure (i.e. the state, the laws, the culture, etc.) which is held up by the class struggle and the socioeconomic dynamics of power. Religion, like the state, is simply the tool and not the cause of oppression.

    In a capitalist society, the superstructural institutions are mobilized to protect capital. Those could and were effectively conquered by the oppressed class at times in recent history, including religion. An example would be liberation theology in Latin America, or the movements of Marxist Muslim scholars in Central and South Asia.


  • Sure, but it seems those same structures remain in place today but in a secularized form. Nation-States create this divisive sentiment which the bourgeois classes utilise in order to bid the oppressed against each others. The struggle between the state and the church is secondary to the material struggle between an upper and a lower class.



  • I heavily recommend The Blind Owl by Sadegh Hedayat. From Wikipedia:

    Persian novella by Sadegh Hedayat that is about an isolated, unnamed narrator who recounts his obsessive love for an enigmatic woman and his gradual descent into psychological fragmentation, conveyed through a dark, hallucinatory narrative in which reality, memory, and nightmare become indistinguishable.