

I’m reminded of the aesthetic definition of fascism: an artistic movement is fascist when it has no substance beyond its aesthetic presentation. Most artists want to express some sort of cultural belief, communicating it to their audience. However, fascists do not sincerely endorse any meme whatsoever, because of their need for cultural purity and their inability to establish a rubric by which their national identity cleanly separates from the society which hosts them; rather, a fascist movement predictably sheds memes, one by one, as their usefulness for advancing the movement is overcome by the fascist’s revulsion at any sort of cultural sincerity.
Thanks for sharing. This has a lot in common with e.g. hyperborean or tradwife communities, I feel. Not in the specific memes as such, but in the utter lack of sincere existence behind them.






Complementing sibling, consider Google Books. This is where the question first arose: if one puts a book through a scanner, non-destructively, then surely they have made a digital copy of the book? There’s the related question: if the scanner destroys the book, then that surely means no copy? The bounds of this were tested with the concept of CDL, which courts did rule against in Hachette v. Internet Archive; they said that CDL is clearly copying. But they also said in HathiTrust that digital preservation is transformative. So preserving is possibly fair but copying is probably infringing; in general one can have a private library but they can’t copy it out to other people.
Hopefully it makes a bit more sense from that perspective. Copyright’s still stupid as fuck, though. Previously, on Awful, I made a prediction: