

I disagree with the premise that women aren’t gaming as a hobby. You would never know how many women play single player games, and in multiplayer games not being in voice isn’t much of an indicator.
I think this is very much a game dependent thing. When I commanded open world events in Guild Wars 2 I didn’t have any trouble, but when I played Overwatch, I would get judgement and snide comments and extra scrutiny. Most of the time I didn’t have any trouble from teammates but that <10% was bad enough that I don’t blame any woman from staying quiet.
I think each game attracts certain people and encourages certain behaviors, and those people will create their own subculture around the game. See Helldivers for example. Guild Wars 2 has done an admirable job creating an online space with less toxicity than most. Overwatch not so much. I think it’s extremely common for people to form gaming clans and carve out their own enclave away from the random population, so they can play even games with highly toxic hostile cultures in relative peace. I think if you found yourself in a larger gaming clan that explicitly made toxicity unacceptable, you would find yourself surrounded by women on voice with you.









I know OP and multiple commenters already said OkGo, but these songs/videos have been a micro obsession of mine the past week and I can’t pass up the chance to share them
https://youtube.com/watch?v=MejbOFk7H6c
For this one, the entire song is played via percussive methods by driving a car on a prepared track with improvised instruments. Damian, the lead singer, had to learn stunt driving to drive the car at specific speeds for different parts of the track. They calculated the spacing of instruments over the distance as well as how much time it would take to maneuver to different parts of the course and the speeds necessary to maintain the correct beats per minute. They used over 280 guitars and 55 pianos, and modified the car with audio equipment and levers to control what mallets were extended. The song ends up sounding rough, frustrated, desperate and pained which is perfect for the lyrics, and IMO better than the studio version.
The other one is Upside Down and Inside Out. The song alone is not my cup of tea, and yet with this video it’s really incredible. They recorded the video in 27 second increments of parabolic flight to make the whole thing happen while they’re weightless. In the times between takes, they had to endure 30 seconds of 2x gravity and then wait 5-10 minutes to climb again. The sequences are edited together, so if any of them didn’t make it back to their marks in time the take wasn’t usable. They spent two weeks messing around experimenting with choreography and props, and one week filming.
https://youtube.com/watch?v=LWGJA9i18Co
They do making of’s on a lot of their videos, and it’s truly incredible the amount of time and planning and preparation and ambition they have for them.